ements may appear boring, but they matter a lot. They are important to understanding how humans function as individuals and as members of society.
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writing lyrics or composing music, it proved that there was no plagiarism!
But netizens also use a lot of evidence to prove that Chen Keyu copied this song,
pale leather, his beard cropped so short that it might have been painted on. A fringe about his temples was all that remained of his black hair. In his hand
At the same age when Jobs was puzzling over a carbon microphone that his dad couldn’t explain,
Wozniak was using transistors to build an intercom system featuring amplifiers, relays, lights,
and buzzers that connected the kids’ bedrooms of six houses in the neighborhood. And at an age when
A BOAT IN SPRING ON RUOYA LAKE
Thoughtful elation has no end:
Onward I bear it to whatever come.
And my boat and I, before the evening breeze
Passing flowers, entering the lake,
Turn at nightfall toward the western valley,
Where I watch the south star over the mountain
And a mist that rises, hovering soft,
And the low moon slanting through the trees;
And I choose to put away from me every worldly matter
And only to be an old man with a fishing-pole.
AT WANG CHANGLIN’ S RETREAT
Here, beside a clear deep lake,
You live accompanied by clouds;
Or soft through the pine the moon arrives
To be your own pure-hearted friend.
You rest under thatch in the shadow of your flowers,
Your dewy herbs flourish in their bed of moss.
Let me leave the world. Let me
alight, like you,
On your western mountain with phoenixes and cranes.
ASCENDING THE PAGODA AT THE TEMPLE OF KIND
FAVOUR WITH GAO SHI AND XUE JU
The pagoda, rising abruptly from earth,
Reaches to the very Palace of Heaven….
Climbing, we seem to have left the world behind us,
With the steps we look down on hung from space.
It overtops a holy land
And can only have been built by toil of the spirit.
Its four sides darken the bright sun,
Its seven stories cut the grey clouds;
Birds fly down beyond our sight,
And the rapid wind below our hearing;
Mountain-ranges, toward the east,
Appear to be curving and flowing like rivers;
Far green locust-trees line broad roads
Toward clustered palaces and mansions;
Colours of autumn, out of the west,
Enter advancing through the city;
And northward there lie, in five graveyards,
Calm forever under dewy green grass,
MEMORIES IN EARLY WINTER
South go the wildgesse, for leaves are now falling,
And the water is cold with a wind from the north.
I remember my home; but the Xiang River’s curves
Are walled by the clouds of this southern country.
I go forward. I weep till my tears are spent.
I see a sail in the far sky.
Where is the ferry? Will somebody tell me?
It’s growing rough. It’s growing dark.
A FAREWELL TO GOVERNOR LI
ON HIS WAY HOME TO HANYANG
Sad wanderer, once you conquered the South,
Commanding a hundred thousand men;
Today, dismissed and dispossessed,
In your old age you remember glory.
Once, when you stood, three borders were still;
Your dagger was the scale of life.
Now, watching the great rivers, the Jiang and the Han,
On their ways in the evening, where do you go?
ON SEEING WANG LEAVE FOR THE SOUTH
Toward a mist upon the water
Still I wave my hand and sob,
For the flying bird is lost in space
Beyond a desolate green mountain….
But now the long river, the far lone sail,
five lakes, gleam like spring in the sunset;
And down an island white with duckweed
Comes the quiet of communion.
WHILE VISITING ON THE SOUTH STREAM
THE TAOIST PRIEST CHANG
Walking along a little path,
I find a footprint on the moss,
A while cloud low on the quiet lake,
Grasses that sweeten an idle door,
A pine grown greener with the rain,
A brook that comes from a mountain source —
And, mingling with Truth among the flowers,
I have forgotten what to say.